When asked about the inclusion these experimental songs, Fernandes said: "We wanted to change the way people listen to music. The second half of the album features more experimental songs, influenced by drone music and musique concrète. these songs are riddled with potholes, with weird left turns, with hooks that seem to bubble out of nowhere before receding into themselves." Zachary Houle of PopMatters offers similar commentary, and noted how songs on the first half of the album were influenced by artists like Badfinger, David Bowie, The Byrds, and John Lennon.
Paul Thompson of Pitchfork described the first half of the album to be the more immediate and easily accessible half, writing: " Dusk 's first half is certainly the most immediate stretch of songcraft OTC laid to tape, big, sinewy hooks brought to life in brilliant color. While discussing the music as a whole, Stereogum described Dusk at Cubist Castle as a " maximalist analog production, sonically distended with so many different ideas that it sounds a little different every time you hear it." The album purports to be the soundtrack to an unfinished film titled Dusk at Cubist Castle. Jason Ankeny of AllMusic also notes the experimentation with other genres, including krautrock, noise music, and folk rock. Critics have described Dusk at Cubist Castle as an eclectic album that encompasses a variety of genres, including indie pop, neo-psychedelia, and psychedelic pop. Composition ĭusk at Cubist Castle is a double album that is 74 minutes and comprises 27 songs. Mangum suggested the name, which was intended to be a surreal sounding phrase with no further meaning. Doss and Hart then decided to rename the group to the Olivia Tremor Control. Mangum left the group shortly after its formation, as he wanted to focus on a solo project that would eventually become Neutral Milk Hotel. The band gained a small following due in part to the psychedelic-infused music, which differed from the prevalent grunge sound in the city. Fellow Rustonian Bill Doss joined in 1993, and the lineup consisted of Hart on electric guitar, Doss on bass guitar, and Mangum on drums. After graduating from high school, Hart and Mangum moved to Athens, Georgia, and reworked Cranberry Lifecycle songs under the name Synthetic Flying Machine. This band was formed in Ruston, Louisiana in the late 1980s, by high school friends Will Cullen Hart and Jeff Mangum.
The Olivia Tremor Control originated as a psychedelic band called Cranberry Lifecycle.
Hotel dusk script full#
This bonus disc was later re-released as a full album by Flydaddy in 1999 but the most recent Cloud Recordings reissues do not include the extra disc.
The Flydaddy 017 release was reissued as a double album with Explanation II as the second disc. However, the two discs differ in length by approximately five minutes, rendering this an unlikely intention. It has been claimed that this album will produce quadraphonic sound when played at the same time as that disc. The first few thousand copies of the album were released with a bonus CD, Explanation II: Instrumental Themes and Dream Sequences. The album was produced by The Olivia Tremor Control and Robert Schneider, an associate of the band in The Elephant 6 Recording Company collective. Music from the Unrealized Film Script: Dusk at Cubist Castle is the debut studio album by the American indie rock band The Olivia Tremor Control, released on 6 August 1996. Music from the Unrealized Film Script: Dusk at Cubist CastleĮxplanation II: Instrumental Themes and Dream Sequences
Robert Schneider, The Olivia Tremor Control, The Elephant 6 Orchestra
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